New from the fall issue: Olia Fedorova and Dana Kavelina by @monikafabijanska. The two Ukrainian artists talk about making art during wartime, the importance of vulnerability, and who writes history. Follow the link in our bio to read more. "I don’t know if I will ever be able to work with the Ukrainian landscape again. Some landscapes have become dangerous because of mines and burned tanks ... If you work with the landscape in Ukraine now, you’d work with the war, no matter if you want to or not." —@olia_off "In this series of drawings, I wanted to show rape not just as a collateral consequence of war but rather as its essence. I’m trying to reveal the ultimate logic of war rape and its multiple purposes, and why it should be considered a weapon of war." —Dana Kavelina Image 1: Olia Fedorova, Off-Road Sign, 2021, digital photograph of intervention in the Ukrainian landscape. Image 2: Dana Kavelina, from the threads of silence a pullover for a soldier is sewn (from Communications. Exit to the Blind Spot), 2019, graphite and colored pencil on paper, 12 × 10.25 inches. Images copyright of the artists. Courtesy of Fridman Gallery, New York. #danakavelina