Search: Better Call Saul (Season 1) + Extreme Wide Shot The Conformist and the films of Stanley Kubrick became a grounding reference point for series creators Vince Gilligan and Peter Gould as well as DP Arthur Albert, leading them to make relatively unconventional choices such as their first day of shooting being in bright sunlight in a skate park, and the opening of the show being a black-and-white scene of Goodman in Omaha. One major point of departure for the camera language of Better Call Saul as compared to Breaking Bad was that Gilligan and Gould wanted to eschew the handheld look that they had previously established for something far more composed, to the point where they did not want any camera movement at all unless it was motivated by the action in the story. 1500+ shots from Better Call Saul available now on ShotDeck!