‘We must be one with what we paint...’ – Anna-Eva Bergman From the 1950s, but even more so from the 1960s onwards, Anna-Eva Bergman explored an uncommon material to represent her vision: sheet metal in gold or silver, pure or oxidized, smooth or torn. This brought a new luminescence to her paintings, which became living organisms, mirrors absorbing the surrounding light, portals to the immaterial. Time is running out to see the works of Anna-Eva Bergman at Perrotin New York, closing this Saturday, October 22. — @fondationhartungbergman #AnnaEvaBergman #BergmanRevelation #KlaraKristalova #KristalovaFloraAndFauna #Perrotin #PerrotinNewYork – Anna-Eva Bergman, N°41-1960 Tumulus, 1960. Courtesy Hartung-Bergman Foundation and Perrotin.