“I was quite reconciled to people not being so interested in me, but that freed me up… I could experiment with materials, only pleasing myself. I could really have a lot of fun, humor, between me and me.” Speaking to Roberta Smith on the occasion of her New Museum retrospective in 2018, Sarah Lucas succinctly framed the ethos that has shaped her genre-defying practice. That sensibility also threads through ‘Attrition’: when a system breaks down, what shape does its return take, and what new possibilities emerge in the aftermath? Thank you very much Gladstone Gallery, Cooke Maroney and Frederik Schampers. To book an appointment this week, please reach out via DM or email. 1] Portrait of Sarah Lucas by Ana Cuba for the New York Times, 2018 2] installation view, Sarah Lucas, ‘Floppy Toilet Sank’, 2017, Attrition, courtesey @new_document_ 3] Sarah Lucas ‘Where Does It All End?’, 1994/1995 4] Installation view, Sarah Lucas ‘Floppy Toilet Sank’, 2017 by Gray Broderick