Social housing never looked so good: these experimental and remarkable spheres in a quiet suburb just outside the city of Den Bosch, were designed by Dutch artist Dries Kreijkamp. Named Bolwoningen (which means ‘ball house’), they’re as radical as they look - this social housing concept was conceived in the late 1970’s, an impossibly optimistic, utopian attempt at redefining what housing could be, only a few decades after the first boom of post-war social housing projects swept across Europe. By this time, the cracks - often literally in the case of many of the concrete mid-rises which sprung up - were starting to show. The first generations to live in the homes were noticing not only structural issues in homes which were designed to promise a new way of living, but a marked decline in living standards, green space, and accessibility. Brutalism, while often beautiful and egalitarian in its intent, was not always delivering the desired results, and the radical thinkers of the time - Kreijkamp amongst them - were beginning to propose realistic alternatives. Each sphere is nearly three stories tall, with a spiral staircase connecting lower floor bedrooms, to a middle bathroom level, and finally a living and kitchen area on the uppermost floor. The porthole windows are all situated to primarily overlook the tree-covered grounds of the project, leaving each resident with a distinct sense of privacy. Fifty houses were built in total, and the project was, unlike many of the more avant-garde visions of living at the time, highly successful. Against the surrounding neighbourhoods, which remained entirely conventional in their design and zoning, the Bolwoningen look like they arrived from an alternative universe. They have become a landmark, providing one of the most surreal and underrated architectural views available in the Netherlands. Excerpted from Type 7 Volume 3 Photos by @tristanfopma for @type7 Words by @nat_twiss for @type7