For the Whitney Biennial 2022: Quiet As its Kept, I’m so pleased to present Death of A, a four-channel installation structured from footage of a single actor performing passages from the canonized American Realist drama Death of a Salesman. The production uses Arthur Miller’s transpositions of time, character, and memory to adapt the character of Willy Loman. Got to work with some stunners, please check it out. @jerodjhaynes @sadfornoreason @markianicolesmith @naptimehacker @sequoyahmurray Thanks to @bowandarrow.la @parallax_post and @grrrason @yvesisalive and the whole team that helped get this done. @whitneymuseum through September 5th. Some Notes- Johannes Itten Elements of Color, 1961 - ‘Colors are forces, radiant energies that affect us positively or negatively, whether we are aware of it or not...The effects of colors should be experience and understood not only visually but also psychologically and symbolically.” "Various purveyors of the force of color; The physicist, electromagnetics and the phenomenon of light The chemist, molecular structure of dyes and color, industrial The physiologist, apparatus of light in the brain and eye The psychologist, symbolism and subjective perception The artist, finally, lol, aesthetic aspect. Needs psychological and physiological.” a matrixial borderspace (Ettinger) between the excitation, fetishism, and jouissance join in the visioning of the other, crafting a shared fantasy space, the death of black and indigenous subjects during the colonial and greater transatlantic Genocide is therein linked with the concept of perseverance, heroism, other thematic aesthetic elements that being to form dissonant criticality - non figurative or non-representational subsumed by the Christian figure as the experiential standard for the act of viewing. Mid century theater. Colorfield.