Mousse Magazine 81 – Fall 2022: OUT NOW #LisaRobertson pens a narrative about decline and invisibility as freedom through memories of water—those of the Bièvre river. K Allado-McDowell (@kalladomcdowell) and GPT-3 coauthor a satirical account of an artist who is stuck in a stale existence. In building an imaginary milieu for Dora Budor’s (@dorabudor) practice, #MarinaVishmidt is drawn to the category of “infrastructure:” Budor generates a transformation of absences. A member of Experiments in Art and Technology and a crucial figure for Japanese video art, #FujikoNakaya is known for her sculptural ecosystems using fog. Stuart Comer (@stuartcomer), #MichelleKuo, Astrida Neimanis (@astridaneimanis), and Sarah Johanna Theurer (@sarahjohanna.t) discuss the artist’s environmental awareness, while #ReikoSetsuda retraces Nakaya’s networked thinking. Travis Jeppesen (@travisjeppesen) debunks how a “poetics of indeterminacy” may empower a form of art writing that is a vanguard practice within art criticism. Alexandra Symons-Sutcliffe (@lxndr_a) analyzes how #CasparHeinemann responds to a significant period in British history with humor by focusing on histories of queer community. In the first of a series of five essays examining the temporalities of performance, #CallySpooner intertwines the psoas major, Donald W. Winnicott, motherhood, and chrononormativity. Harry Burke (@harryb_rke) peruses how recent Chilean politics’ interweave with Ignacio Gatica’s (@ignaciogatica) practice. Tidbits: Céline Mathieu (@cm.celinemathieu) by Leila Peacock (@leilaleilapeacockpeacock); #JerzyBereś by Krzysztof Kościuczuk (@krzypsztof); David Moser (@morningstaaarrrrrr) by Laura McLean-Ferris (@lmcleanferris); Ayo Akingbade (@ayomakesfilms) by Faridah Folawiyo (@faridahf); Steph Huang (@theinvisibleisland) by Olivia Aherne (@oliviaaherne); Selma Selman (@selman.selma) by Arnisa Caterina Zeqo (@arnisa_zeqo); Simon Lehner (@simon_lehner) by Christina Lehnert (@christinalehnert); Deborah-Joyce Holman (@fantigold) by Olamiju Fajemisin (@olamiju); Francisco Tropa (@francisco.tropa) by Simone Menegoi (@simone.menegoi) Book Reviews: Whitney Mallett (@whitneymallett)