THE ARMORY SHOW 2022 PLATFORM Julio César Morales has long investigated issues on and around the US-Mexico border. @jcm_3000 creates a narrative discourse through "La línea" that depicts the selective erasure of histories in the southwest United States, addressing how boundaries and land ownership have changed dramatically over hundreds of years. "La línea" consists of four simplified line drawings rendered as neon sculptures, re-writing the 1,954-mile border between the US and Mexico. "Línea” is a derogatory word Mexicans use to refer to the border wall. "La línea" collapses time and space, centering the border as a main character in the histories of power, land, and colonial narratives. Link in bio to reserve tickets for the fair. We hope to see you there! Seen left to right: Julio César Morales, "La línea (2028)", "La línea (2022)", "La línea (1845)", "La línea (1633)", 2017- 2022 @thearmoryshow dates: September 9-11, Javits Center, NY, NY Platform curated by @tobiasostrander #JulioCésarMorales #TheArmoryShow