All The Tears Of My Body: Scene 1 Really pleased to share a glimpse of this new chapter of the CUT collectives work. See the full work at: www.paulsadot.com/attomb The work takes textile sculpture as a starting point through which to explore and unearth the movement that is housed and hidden within the creation story of the sculpture. The collaboration began in December 2021 with a chance encounter between Emmanuelle Premel-Cabic and myself when I was visiting the small town of Morlaix in France and I entered her workshop. Intrigued and viscerally moved by the sculptures and the process of their creation I brought one of them back to the UK and began to gather CUT collective members for this new project. Director & Movement @paulsadot @industryart DOP @robbakerashton Dance Artist @killthekat_ Sound @icyaudiovisual Textile Artist @madamesansgene39 Toutes les larmes de mon corps fait partie d 'une série de trois robes, intitulées ‘les guerrières’ et réalisées en 2020. Cette robe sculpture est un réceptacle spatio-temporel, un lieu de recueillement, un sanctuaire de toutes les larmes, chagrins, mémoires invisibles de la chair, emmagasinées dans le corps: une sorte d’adieu et d'hommage, une volonté tenace d aller vers la joie. Elle en porte la signification, par les matériaux textiles et anciens utilisés comme ces mouchoirs suspendus de larmes, son robinet zizi pour les faire s' écouler, ses ciseaux pour couper les liens négatifs: c’est une sculpture de passage d un état à un autre, un rituel, une libération, une guérison. All the tears of my body is part of a series of three dresses, entitled the warriors’ and made in 2020. This dress sculpture is a space-time receptacle, a place of recollection, a sanctuary for all the tears, sorrows, invisible memories of the flesh, stored in the body: a kind of farewell and homage, a tenacious will to go towards joy. She carries the meaning, by the textile and ancient materials used as these handkerchiefs suspended of tears, his cock to make them flow, his scissors to cut the negative links: it is a sculpture of passage from one state to another, a ritual, a liberation, a healing. Emmanuelle Premel-Cabic (2022)