By the mid to late 1980s, the artist’s visual language began to explore the more grotesque aspects of humanity through the lens of horror and the abject, as seen in works such as Fairy Tales (1985) and Disasters (1986-89). • Photography: @cindysherman. Courtesy of the artist and @HauserWirth. Untitled, 1989. • Read more about The Cindy Sherman Effect in the latest issue of #212magazine, Herland. Available worldwide. Order your copy online via the link in bio.