120
579
44.9%
BLACKALACIA! Where do I even start with this project... First off, I moved my family to Asheville, NC to work with @moses on this for over a year. I wore more hats than I even thought I had the qualifications to. It's by far the longest and hardest project I’ve ever worked on and i'm immensely impressed with how it turned out. I can defend every frame cause we challenged them all in the edit. I absolutely killed this shit and it’s perfect. That’s probably the most humble way to put it. If you’re a fan of @moses or beautiful music, watch it loud and on the biggest screen in your house. Thank you to everyone involved. Special shoutouts to the 11th hour soldiers who kept this thing moving @barrethacia , @vatanashaw , @maxcoltt , @kaitlynbattistelli (for not complaining after I sent the 300th pick up shot). The biggest shoutout to my perfect wife @moon_dog_iii for your patience and readiness to move our family to pursue art and beauty at the drop of a dime. Also keeping @moses and I fed during those long long days that turned into long long nights. Link to film @moses bio Directed by @moses Editor: Yo Assistant Editor: @ramenoli Cinematography: @cristina_dunlap Production by @TUNTUM Produced by @barrethacia, @moses, @vatanashaw Synth: Mike @Haldeman Associate Producer: @spncklly Stylist: @styledbyphil Assistant Stylist: @_casadecoco_ HMU: @kahlanij Colorist: @KaitlynBattistelli Audio Mixer: @benbaptie Sound Engineer: Evan Bradford Sound Assistant: Mark Thompson Mastering: Joe LaPorta at Sterling Sound Production Supervisor: Alicia Moore 1st AD: @petemethers 2nd AD: Colton Johnson 1st AC: Kane Pearson, Andrew Anderson Steadicam operator: Chris Smith Gaffer: German Valle Key Grip: Bill Merrill VFX: @maxcoltt
120
579
44.9%
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