As the year draws to an end, we’re sharing some of the most popular essays published by “Gagosian Quarterly” in 2022, which include: • Jérôme Sans’s (@jeromesans) account of his visit to La Ribaute in Barjac, France, the vast studio-estate transformed by Anselm Kiefer • Francine Prose’s essay on a recent exhibition of paintings by Mary Weatherford (@maryweatherford) at the Museo di Palazzo Grimani in Venice, inspired by Titian’s “The Flaying of Marsyas” • Emma Cline’s (@emmanancycline) essay on the boundaries between terror and hilarity in Anna Weyant’s (@annaweyant) new paintings • Julian Rose's examination of three architectural projects by Donald Judd (@juddfoundation) • Fiona Alison Duncan’s (@fifidunks) profile of six literary editors who are changing the standards of publishing, including Nicole Counts (@nicolecounts) Follow the link in our bio to read the pieces in full, and keep an eye out for more of our 2022 roundup. __________ #GagosianQuarterly #Gagosian (1) Anselm Kiefer, “Die Frauen der Antike,” 1999–2002, installation view, La Ribaute, Barjac, France. Photo: Charles Duprat (@charlesduprat); (2) Mary Weatherford in front of "The Flaying of Marsyas—3500 Spectra," 2021–22. Photo: Elena Dorfman (@dorfmanelena); (3) Anna Weyant in her studio, New York, 2022. Photo: Jeff Henrikson (@jeffhenny); (4) Architecture Studio, Judd Foundation, Marfa, Texas. Photo: Matthew Millman (@matthewmillmanphoto) © Judd Foundation; (5) Nicole Counts, New York, 2022. Photo: Jeff Henrikson