brooklynmuseum
Dec 28
819
0.08%
This is the final week of Really Free: The Radical Art of Nellie Mae Rowe. In the final section of the exhibition you can find this quote from Rowe:
“The pictures I am proud of that I have made are of my hand. I leave my hand on the wall. When I’m gone they can see a print of my hand. I love that—to see a print of my hand. I’ll be gone to rest, but they can look back and say, ‘That is Nellie Mae’s hand.’”
For this work, Rowe darkened her skin, possibly suggesting achieving peace with who she was as a Black woman despite her struggles because of her race, gender, and class. The bird’s-eye vantage point makes it seem that Rowe is looking down at her own hands as she ascends from a whimsically colored creature and background.
Experience #NellieMaeRoweBkM before it closes on January 1.
🎨 Nellie Mae Rowe (American, 1900–1982). Untitled (Peace), 1978–82. Crayon and pen on paper, 17 × 14 in. (43.2 × 35.6 cm). High Museum of Art, gift of Judith Alexander, 2003.219. © 2022 Estate of Nellie Mae Rowe/Artists Rights Society (ARS), New York. (Photo: Courtesy of the High Museum of Art)
brooklynmuseum
Dec 28
819
0.08%
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