Spanning his latest series of works, the @inflatablespace exhibition bears witness to Okasha’s deconstructed techniques. His artworks restitch painted and sculpted narratives from materials and canvases that are ‘imperfect’, or ‘broken.’ Using mesh to carve sculptural masks and painting on the ‘wrong side’ of a canvas, his work is a rhythmic homage to his roots growing up in the Cairo suburb, Heliopolis. Making his inflatable bed in his gallery every morning and evening whilst rejecting the conventional norm of a bedroom is a reflection of Okasha’s dictum: ‘A true artist must strive to become a natural alchemist.’