Over the years Robert Ryman's work has greatly inspired me. I love how he reduces his work to the bare minimum. He uses an extremely reduced vocabulary and still manages to produce varied pieces by playing with scale and texture. These very notions are paramount to how I approach design. ​​​​​​​​ ​​​​​​​​ On View: Ryman's 1970 "Surface Veil" oil on fiberglass with waxed paper and masking tape.