[Y]ou start to feel it’s the machine’s making the decisions, the closed input one-take recording narrowing the walls and increasing the sense of intransigent, intractable progress towards oblivion. [...] If an environment is suggested it’s not the desolate moors of his Cumbrian surroundings – it’s more aquatic and threatening too – teeth bared in the depths, the snarling arguments of a shoal of Baltic Pike or Humbolt Squid [...] Smart horror directors should be getting this on their soundtracks. – The Wire review of Howlround @robinthefog