We recently started a Film Club here at Post Company - focused on works that employ architectural and interior spaces to direct narrative. We’re trying to decide on our next movie. Have any suggestions? Let us know! Our first selection was Michelangelo Antonioni’s The Passenger (1975). The movie is a masterpiece in composition, wherein the landscapes and interiors reflect the psychological state of the characters. Leah Bordgen writes for Interiors Journal: "The landscape–the space around him (Jack Nicholson)–becomes a direct reflection of his internal state. Locke’s hotel supports his feeling of insignificance —the basic need for water parallel to interior sky blue walls and sand colored doors. Depleted, Locke finds a dead man in the adjacent room by the name of Robertson. He sits on the bed next to him, in shadow, discovering this chance to gain a new identity. The ceiling fan blows above–time passing. Locke fades into the blue walls as he puts on Robertson’s blue coat."