By accentuating angularity and structure, faces appear closer to masks from behind which identities cannot be revealed and true origins are concealed. Our gaze is suspended here by the impenetrable nature of the mask. Melting into the architecture, these masked faces exist in harmony with the city, becoming part of the fabric of the built environment around them—of New York itself—rather than mere transitory inhabitants. — Adelaide Pacton Currently showing this piece along a new body of work at @atmgallery.nyc 💅🏼 Stop by before Oct 9 to catch the show. Open Weds - Sun 12-7pm Butcher’s Daughter, 2022 Oil on Linen 30 x 40 inches