Congratulations @iheartbeuys on your perfect expression of #blackjoy 💗💗💗 It’s a must see! For his first solo museum show and largest exhibition to date, EJ Hill has created a massive installation that incorporates freestanding sculptures, paintings, a stage for performances, and a rideable sculptural installation inspired by the form and function of roller coasters. Hill’s practice focuses on everyday experiences that intermingle public struggle, endurance, trauma, and joy, whether within athletics, religion, the American education system, or amusement parks. Hill has often incorporated his physical presence by performing as part of these projects. He explains that “my body holds the echo or remnant of something,” and works towards a future that elevates those who are frequently not seen and heard. In the United States, amusement parks were contested sites throughout Jim Crow-era desegregation efforts for equitable access to pleasure, leisure, and recreation. For Hill, roller coasters are public monuments to the possibility of attaining joy—which, as he notes, is “a critical component of social equity.”