Appropriating shopping bags, makeup palettes, and candy-colored rockets resembling giant vibrators, Swiss artist @fleury49000 has affirmed herself in the ’80s at the center of a new wave of feminism—one of women embracing that they were women. And while she never intended her work as a commentary on society, her outlook on consumerism, superficiality, and celebrity spectacle feels more relevant than ever in our “post-truth” world. Read the interview by @whitneymallett from KALEIDOSCOPE’s SS22 issue. Link in bio.