The exhibition ‘New York: 1962-1964,’ now on view at the Jewish Museum in New York, explores a pivotal three-year period in the history of art and culture in New York City, examining how artists living and working in New York responded to their rapidly changing world, through more than 150 works of art—all made or seen in New York between 1962-1964. This is the last project conceived and curated by Germano Celant (1940-2020). The exhibition presents works by Diane Arbus, Lee Bontecou, Chryssa, Merce Cunningham, Jim Dine, Martha Edelheit, Melvin Edwards, Lee Friedlander, Nancy Grossman, Robert Indiana, Jasper Johns, Donald Judd, Ellsworth Kelly, Yayoi Kusama, Norman Lewis, Roy Lichtenstein, Boris Lurie, Marisol, Agnes Martin, Louise Nevelson, Isamu Noguchi, Claes Oldenburg, Yvonne Rainer, Robert Rauschenberg, Faith Ringgold, Larry Rivers, James Rosenquist, Miriam Schapiro, Carolee Schneemann, George Segal, Jack Smith, Harold Stevenson, Marjorie Strider, Mark di Suvero, Bob Thompson, and Andy Warhol, among many others, the exhibition aligns with the years of Alan Solomon’s tenure as the Jewish Museum’s director. In “New York City – A World Art Center,” a commissioned report for ‘Envoy’ at the beginning of the time period this exhibition surveys, Judd wrote: In the last decade New York has become the world’s leading art center, an estimate abetted by a certain amount of chauvinism, a twin to Paris; judged by less exclusive standards or, considered casually, the city has become at least one of several such capitals. . . . American art had been provincial; it is now international and at the leading edge of invention. ‘New York: 1962-1964’ is on view through January 8, 2023. #NowOnView #DonaldJudd #Judd #60s Images: Installation view of New York: 1962-1964 at the Jewish Museum, NY, July 22, 2022-January 8, 2023. Photo © Frederick Charles. Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York.