#FromTheArchives In the early 1960s, photographer Diane Arbus embarked on her famed portfolio of duos titled “Affinities,” a nod to the mysterious, often magical connections that can form between two people. Among them were groundbreaking dancer-choreographers Erik Bruhn and Rudolf Nureyev, whose photographs were featured in the April 1964 issue of Harper’s Bazaar. The two were friends and collaborators, as well as occasional competitors and also lovers. The soulful portrait of the pair demonstrated something Arbus understood about performers: that the most captivating ones are unafraid to reveal glimmers of who they really are.