Inspired by where time and concepts of space meet and expand, Hewitt’s practice has long meditated on geometries and collage, juxtaposing disparate images or objects to generate a unified form. Whether in the form of a still life, or in her more recent series of monoprints, Hewitt’s assemblage witnesses riffs in time and gulfs in information––particularly histories of erasure. We see this further reflected in Hewitt’s low profile sculpture Untitled, 2017 composed in copper and oak wood. Eleven copper dowels rest atop five wooden boards, each grooved with twelve openings to support the dowels. Installed at an angle, the sculpture generates a grid, proposing a new, soft geometry occurring within the space. Eschewed, each material generates a guiding line, way finding through the architecture of the gallery. ‘Index Array’ is on view at Perrotin Tokyo until August 20. — @lesliehewitt #lesliehewitt #PerrotinTokyo #Perrotin #IndexArray __ Leslie Hewitt, Untitled, 2022 Courtesy of the artist and Perrotin