“Techno at the End of the Future” is a series of lectures, performances, and film screenings reconsidering the origins of techno music and its subsequent migration from North America to Europe, beginning with a two-part podcast series by @hkw_berlin and @camdenartcentre w/ @nkisiii, @kode9, @lakuti_, and Mark Ernestus, produced by Zakia Sewell // @zzzakia Link in Bio Fri. Oct. 1st, Make Techno Black Again x HECHA / 做 @hecha_nyc presents a live studio performance at @publicrecordsnyc with bookworms // @bookperms, @_jwords, engineered @moma_ready / @hausofaltr with a discussion w/ @slutpryncess focused on a critical reconsideration of techno as Black music that sounds technological, rather than music being made with technology. Design @ting.ish Art @abuqadim