Yesterday instagram limited my caption wording so allow me to now thank my collaborators in post production. To @chrismroebuck and @blaineard who oversaw the most complex, layered EDL their software ever ran. Thank you for being there for me the day I cried in the suite. To @framestore who housed superproducer @vickchick100 who first enlisted Steve then @mintchailatte and @christianbaker72 as lead artists to do the unthinkable. To Simone Bourne the genius colourist who was hit by a car trying to get to my grade (he’s ok), please God don’t ever do that again. I was always told I should only work with Framestore when I got that big movie, but you treated this no differently and you made that giant building feel like a family home. To @drazen_bosnjak @bulkandswagger and the artists at @qdepartmentstudios who work at the highest level and still have the sensitivity to play with me like we were just kids, ‘just say it how it feels in your head’ because they can articulate it. And to @plasmaplasma for bringing the conceptual sound artistry only possible because you were all in, no questions, and you wouldn’t stop until it was right. Thank you Roy Button at Warner Brothers for letting us play in your back yard. Sema-Tawi for your strength and belief. Dave and Patrick at D7 for sponsoring QDepartments incredible sound design. Hannah Oliver and Kelly Bayett. And my family and friends, for their patience