“Fragments appear in my paintings a lot: fragments of bodies, just the legs perhaps, as if we are midspan of a camera. It’s a composition that perhaps leaves you wanting,” she says. “I am really interested in that square, that framing, of what is within that square and what’s outside. So my work is very photographic or cinematic. Often what’s just outside the square is the really interesting thing.” Artist Karen Lamassonne, whose survey Ruido/Noise is currently on view at SI, was profiled by Oliver Basciano for the Financial Times. Click the link in bio to read the article in full ! @karenlamassonne @olibasciano @financialtimes Photo by Sean Pressley #karenlamassonne #swissinstitute