Andrew Dominik’s fictionalised biopic of the tragic movie star doesn’t just fail Marilyn Monroe herself, writes Amanda Whiting, but its use of a talking foetus begging not to be aborted – yes, really – sinks the film into new depths of invasiveness Blonde, the new Netflix film from Andrew Dominik, adds as much nuance to the idea of Marilyn Monroe as can be gleaned from a gynaecological exam. The bombshell movie star has long been established as a tragic figure, a woman who was abused by Hollywood studios, her husband Joe DiMaggio and, as a child, her unwell mother. Rather than challenge the conventional narrative, director Dominik’s nightmarish film, adapted from Joyce Carol Oates’s fictionalised 2000 novel, takes it somewhere even darker and even more invasive. If you want to understand Marilyn Monroe, it suggests, first you have to get inside her uterus. 📷 Getty 🔗 Click the link in bio for more