How my heart is now wondering no misery can tell He’s left with no warning, no word of farewell — The Carter Family, “Wildwood Flower” ⠀⠀⠀⠀⠀⠀⠀⠀⠀ No Misery Can Tell, No Word of Farewell, our 2022–2023 winter exhibition, sees eleven artists take on the coming world with the clear-eyed dignity of a folk song. Among them, Cate Pasquarelli’s glass cloche sculptures subtly question the miniaturization and commodification of our collective crises, Richard Barlow’s monumental chalk drawings speak to threatened water reserves in the Hudson Valley, Eric Garcia’s acrylic mural captures the devastation of communities caught in the middle of geopolitical resource struggles, and Raul De Lara’s sculptures and photos literalize the inseparability of ecology, immigrant labor, and consumer products at the Texas border. Each floor is transportive and grounding, escapist and inescapable. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Featuring @clintbaclawski @richardbarlowartist @esyesyesyesy @rauldelaraa @elmacheteillustrated @ambrus.gero @katejohnsonartist @catepasquarelli @deathbysoytits @frizvi_art @xtinahuntwood_art ⠀⠀⠀⠀⠀⠀⠀⠀⠀ 📸 1. Cate Pasquarelli, Two Houses, 2021 2. Clint Baclawski, Ashore, 3. Richard Barlow, Frozen Warnings 4. Esy Casey, A Movement Against the Transparency of the Stars of the Seas 5. Raul DeLara, Torino, 2021 6. Eric Garcia 7. Ambrus Gero, Flying Carpet, 2019 8. Lauren Phillips, Asparagus March, 2021 9. Farwah Rizvi, Arghan Dev with Corona, 2021 10. Christina Hunt Wood, Falls Mills Road - Delhi, NY ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #wassaicproject #wassaic