The performance "Domino Effondrement" (Domino Collapse) embodies all the Kantian aspects of the sublime: the noble, the splendid, and the terrifying. Fifty years after the paradigm-shifting sculpture, the Tas de Charbon (Pile of Coal), Bernar Venet extends the notion of sculpture into a radical shared experience. The "Domino Effondrement" unfolds into a boundless incident, a faculty of the mind surpassing every standard of sense. The inherently physical intervention flawlessly troubles time, so to say, demonstrates entropy with colliding concepts of system vs. disorder, predictability, and contingency. @bernar.venet @stiftungkunstbonn