"See Gould, photographed, proudly hunched over the piano! How many pages are dedicated to that famously awkward pose," asks author Katharine Kilalea. In her essay titled "Glenn Gould Is Always on Fast-Forward," Kilalea reflects on Gould's recording of Bach’s Partita No. 1 in B-Flat Major, its understated beauty, and her own life. ⁠ "Gould plays so fast that there’s no time to think about what you’re listening to. Perhaps, I thought, it was the inability to analyze which was so enjoyable, the pleasure of not being able to think."⁠ ⁠ Read the full essay at the link in our bio. ⁠ ⁠ 📸: Glenn Gould in the studio, 1978.