Anna Weyant’s paintings of women are at once delightful and yet strangely grotesque. With an emphasis on voluptuous bodies and distorted facial expressions, Weyant's paintings conjure figures reminiscent of ourselves but with an uncanny quality. Weyant’s paintings of abjection invite new examinations of femininity within the historical media landscape that overemphasizes breasts and curves. Engaging with this iconography, she at once subverts it through characters that exist in surreal environments.⁠ •⁠ Read more about Anna Weyant's subversive visual language in Artsy Editorial from Ayanna Dozier (@dozierayanna) through the link in our bio.⁠ •⁠ #AnnaWeyant, Two Eileens, 2022. © Anna Weyant. Photo by Rob McKeever. Courtesy of the artist and Gagosian.⁠ #AnnaWeyant, Sophie, 2022. © Anna Weyant. Photo by Rob McKeever. Courtesy of the artist and Gagosian.⁠ #AnnaWeyant, It Must Have Been Love, 2022. © Anna Weyant. Photo by Rob McKeever Courtesy of the artist and Gagosian.